My October and November Music Recap

These two months will be merged together because Wrapped comes out early for some reason that I still don’t understand.

October is simple to recap, mostly because I was listening to the same artists, albums, and songs on repeat. Here is a quick list that’s out of order for your pleasure:

  1. Black Eyed Peas
  2. Offset
  3. Kid Cudi
  4. Ameer Vann
  5. 100 gecs

Normally, I try to listen to a variety, both to discover new music and so that my analytics aren’t completely screwed over by repeated songs. During that month though I guess I couldn’t have cared less!

Offset’s new album SET IT OFF was GREAT! 9.5/10, I’m only taking .5 off because I didn’t like a couple of songs. It’s a pretty long album, which has its pros and cons, BUT I was able to pick out a few faves during the first listen which is always a good thing! “NIGHT VISION”, “PRINCESS CUT”, and “WORTH IT” were instantly saved. “NIGHT VISIONis so good I got one of my friends who doesn’t listen to modern rap interested and sometimes she asks me to play it when we’re hanging out!

Ameer Vann, a former member of BROCKHAMPTON, had teased fans that he’d be releasing new music with his former bandmate Merlyn Wood. This was like, a year ago. Thankfully he stuck to his word and released a whole album (about a couple weeks after Merlyn’s “EP”…it had like 2 good songs of the 4? Fans complained a bunch, it’s hard to call that one an EP). Bad news is that the best songs were super short and felt like teasers for songs that didn’t exist. Some of them lacked in creativity and were there as filler, but overall it was decent. My dissatisfaction led to playing the same few songs on repeat.

Black Eyed Peas: wow they sure make me miss the 2010s even though I hated the 2010s (especially the music). Still, I think their work is timeless and they were a powerhouse! I’ve heard rumours will.i.am will be working with Lady Gaga, but it’s all based on a couple photos of them carrying large folders like they met for a business meeting (at a fancy restaurant, of course). I like some of the group’s recent songs as well, but I think it’s getting repetitive and they need to go back to their roots. Sure, experimenting is fun but there needs to be balance.

Some songs by B.E.P that I loved listening to include “Rock That Body”, “Alive”, and “Just Can’t Get Enough”. For a couple weeks I was playing “HIT IT”, but mostly as a joke. Saweetie and will.i.am’s verses were respectfully NOT great and could not be taken seriously. It was probably unintentional, but the implications of Saweetie’s section raised some suspicions and eyebrows the more my friends and I listened once our laughter died down (which was picked back up again after our realization).

I had “ringtone” by 100 gecs and “Enter Galactic” by Kid Cudi on repeat a lot. Didn’t pay much attention to the rest of those albums, though I’ve listened to 1000 gecs pretty regularly before.

Other songs that I listened to a lot during October/November:

-“Madonna” by Kevin Abstract (his new album is not my cup of tea in general, but kudos to him for trying something new. And like most albums, this one has a couple good ones that I’ve been listening to a lot).

-“Fashion Killa” by A$AP Rocky. Didn’t care for the rest of the album, but this song has really satisfying backing vocals.

-“Obsessed” (Sped Up) by Six Dior. This is Mariah Carey’s famous song but the sped-up version. Normally, I don’t particularly enjoy sped-up songs, but Ms. Carey was able to persuade me. I think it’s also because I like fast-paced music like hyperpop/nightcore and this would borderline fall under this genre.

Copyright © The Mouth That Writes, 2018-2023. All rights reserved.

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the woman, a poem

“the woman”, an attempt at horror poetry writing for Halloween.

***

during the noiseless night crows call her name.

the woman mauls her way out of the depths of earth, grimy and sickly.

blue fingers adorned with jewelry that wasn’t her’s.

maggots cling onto the meat dangling off her right hip.

her wispy hair is a veil she drags across the ground.

a crow sits on her shoulder and mimics her, the sound of her own voice makes her delirious.

the sound of her own voice makes her delirious. the sound of her own voice makes her delirious.

she can’t help but smile, showing all 32 teeth.

her eyes are like fogged glass. she’s constantly cynical because they’re useless.

her eyes. and her victims.

you don’t see any of this though,

unless she pays you a visit.

know she’s unfaithful, to you and possibly herself at times,

because she never learned empathy, it was always about her.

she knows how desperate you truly feel,

how you won’t admit that you’ve dreamt of her

and that you now fear such intimacy.

so you wonder if these dreams count as intimacy.

“Can I come with you?”

the question slips out of your mouth while you sleep.

yet you don’t know why you ask it.

she slithers her mouth up against your ear.

“No. Your soul has to leave first.”

When anyone pays you the sort of attention you used to crave,

you feel a strange urge to dimiss them.

this faint tug in the back of your mind.

you shun them. they’re not good enough.

you don’t know if you have it in you to give what they want.

after many of her visits,

you see your skin is greying. perhaps it’s fatigue.

on another day your eyes are bloodshot. perhaps you’re still tired.

you’re noticing scabs all over the following week.

but you can’t remember picking your skin.

one morning, the last morning,

you look at yourself

and she’s there too.

it’s finally time.

Copyright © The Mouth That Writes, 2018-2023. All rights reserved.

Follow me @tannaaz for more.